The TTA Press website
25 Jul
The following competitions to win Region 2 DVDs appear in Black Static 6. But you can enter now. Answer as many of the following questions as you like and email them, with your postal address, to competitions [at] ttapress [dot] demon.co.uk. Winners will be drawn from a hat on 30th August and announced on the forum. The only catch is that you must be a current Black Static subscriber. I think that’s only fair. Btw, despite a previous announcement on the forum we are holding back The Tattooist (release date 29th September) review and competition till Black Static 7. (more…)
21 Mar
THE ZOMBIE SURVIVAL GUIDE BY MAX BROOKS
(Duckworth paperback, 254pp, £8.99)
This book has an intriguing concept. Subtitled “Complete Protection from the Living Dead”, it operates under the premise that zombies are real, the victims of a virus called solanum, albeit their existence has been covered up by the authorities, and that an outbreak could happen near you at any time. In themed chapters Brooks details how to recognise when an outbreak is occurring, the best weapons to use against zombies, how to run from them and hunt them down, the difficulties posed by various types of terrain, the best structures to offer protection from zombie attack, surviving in a zombie world, should the worst case scenario ever come to pass. And so on and so forth, all of this delivered deadpan and with a potted history at the end of various zombie outbreaks during the course of history (more…)
28 Jan
The new issue is at press now and will be mailed out in a couple of weeks. Seven stories from familiar names and rising stars Alexander Glass, Tony Richards, Garth Marenghi creator Matthew Holness, Ian R. Faulkner, Will McIntosh, and debut sales from Carole Johnstone and Seth Skorkowsky. The usual columns and features are here, including book reviews by Peter Tennant, DVD reviews by Tony Lee (plus competitions), comment from Christopher Fowler, Stephen Volk, Mike O’Driscoll… And art by David Gentry. (more…)
7 Jun
BRAINCHILD
Omnibucket paperback, 64pp, $15 (Sold Out!)
This is the way the world ends. Courtesy of Romero reborn, Shaun of the Dead and a slew of bestselling Horror novels, the coming zombie apocalypse has about it a sense of immediacy that sitting around waiting for peak oil or the polar ice caps to melt just cant compete with.
And hence this book, the first production off the line from new kid on the block Omnibucket, slim as a supermodel and every bit as drop dead gorgeous, with emphasis on the dead, and the intriguing tag line a collection of artifacts, but actually what were talking about is short stories, articles and artwork, all of them featuring those flesh eating zombies we love to hate. In tone it reminded me of nothing so much as the grounding moments in a Living Dead movie, with news reports coming in over the wire and earnest commentators trying to make sense of it all, while the army shoots first and asks questions later, and all of these snapshots and individual stories, the necessary adjuncts to our suspension of disbelief, interweaving to convey the immediacy of disaster on a global scale and empowering us to think the unthinkable.
Theres an urgency to much of the written work. Running by David Wellington is about one mans attempt to escape the carnage with the help of the military, and gives us the first taste of the inevitability of the collapse of civilisation. Rebecca Brock contributes two vignettes under the general heading Black Days. Sandy is the story of an office worker caught up in events, with strong echoes of 9/11 in the stunned disbelief with which the characters bear witness to what unfolds before their very eyes, while Paul moves on to the dog days between the death of the old order and formulation of a new society, with the eponymous hero moving through a blighted landscape, scavenging for scraps of food and shelter, dodging the zombie flesh eaters and employing a pragmatism from which many will recoil. SPQR by David Senecal is a brief snapshot of zombie use in gladiatorial games, the pay off in the vicious end note, while On the Western Front by Senecal and Scott Lambridis takes the war home to the zombies with the military preparing to fend off an attack. We get critical grace notes too, with Mia Epsteins My Zombie Girlfriend examining the role of women as zombies in the movies, an essay that is perhaps a little too lacking in focus to succeed on its own terms, but interesting all the same for the overview it gives of media representation of this archetypal horror. In Book of Matches by Charles Hogle the new order is firmly in place, with the truth behind recent events brought out of the closet in a resolution that harks back to the origins of the zombie myth and reinforces another of our baseline fears, that of government and authority, these ideas dramatised in the moving plight of a dying farmhand and his daughter preparing to destroy their bodies rather than become part of the zombie workforce.
Each work of fiction is interesting in its own right, with those by Brock and Hogle, the tales of individuals coming to terms with what has happened to them, the most successful and packing the greatest emotional punch. Overall though I dont think these stories, fine and commendable as they are individually, add up to a cohesive whole, a scenario of collapse that is credible. What we get is a kaleidoscope of constantly shifting images, rather than the pieces of a jigsaw which neatly slot into some preordained pattern; aesthetically pleasing certainly, but ultimately the overview they attempt is too riddled with contradiction to convince.
Prose is only a part of this project, and not necessarily the most significant. For many the books appeal will lie in the wealth of artwork gracing its pages, and on that score Brainchild cant be faulted. In the selection of full page and full colour illustrations, paintings that contrast and complement each other, by turns vicious and packed with gore, lush and almost romantic, contortions of the human body and aberrations of nature, there is a glue to bind the written material and hold together this fragile gestalt. It would be wrong to single out any particular artist, but David Senecal, who may be familiar to Black Static readers from his work in our sister magazine Interzone, is part of the driving force behind this project, and contributes more artwork than anyone else, each painting packed with movement and glorious colour. Im also going to mention the crayon drawing of a zombie by Justin Mills, which for poignancy and rawness simply cant be beat, who is only nine years old if the end credits are to be believed and waiting for the day when his mother will let him read the book. Perhaps shell let him see one of his first reviews.
And then theres the one bum note, two pages of adverts for stationery outlets etc, in glowing neon colours, which deaden the mood, as if youve just eaten a perfect meal at a gourmet restaurant and then been handed a half sucked polo on a silver tray instead of the anticipated After Eight mint. Regardless of any commercial considerations, this is a great project, one which invests in doing things just that little bit differently, with imagination and flair, and it deserves to succeed, so lets all hope it sells enough copies they dont have to rent out ad space next time around.
Subscribe to Black Static for more of Peter Tennant’s book reviews.