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Chelsea_Tractor
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Posted: Wed Sep 07, 2011 10:50 pm |
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Joined: Sun Nov 14, 2010 1:37 am Posts: 97
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This has surely been asked before, but I can't find it.
Anyway, when anyone here rewrites, redrafts or edits, how much, roughly, of the original draft do you find yourselves keeping?
I ask in large part because I suspect that 99% is probably too much.
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Andrew Hook
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Posted: Thu Sep 08, 2011 8:08 am |
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Joined: Mon Mar 05, 2007 8:50 pm Posts: 469
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Anything that ended up published I edited about 5% out of it. Anything that hasn't ended up published I'm still editing and will probably never get published.
I guess the answer will be different for everyone 
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Ray
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Posted: Thu Sep 08, 2011 8:15 am |
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Joined: Wed May 14, 2008 2:06 pm Posts: 980 Location: Portsmouth
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I take about 10% for what it's worth, but only as a general rule. Sometimes I add stuff.
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Pete
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Posted: Thu Sep 08, 2011 8:21 am |
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Joined: Mon Feb 26, 2007 2:15 pm Posts: 2981
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I think it varies for everyone. I write very minimalist first drafts, and so usually end up with a much longer end product.
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RossWarren
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Posted: Thu Sep 08, 2011 10:32 am |
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Joined: Mon Feb 16, 2009 10:24 pm Posts: 347
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I follow the advice of Mr King:
2nd Draft = 1st Draft - 10%
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StevePalmer
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Posted: Thu Sep 08, 2011 10:34 am |
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Joined: Fri Mar 09, 2007 3:33 pm Posts: 428 Location: Welsh border country
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It varies enormously I think from book to book and author to author. Urbis Morpheos was originally twice as long, so I took 50% out of that...
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Mike A
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Posted: Thu Sep 08, 2011 4:25 pm |
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Joined: Mon Apr 23, 2007 9:25 am Posts: 636 Location: Sussex Coast
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I don't think there should be a set percentage - take out what doesn't work or is unnecessary, put in what's needed.
I like Sol Stein's suggestions about editing. He recommends editing in several passes, at different levels of abstraction. He says fix the big problems first (things like characters that don't quite work, flaws in plot logic or story sequence, etc.). Next fix the medium-sized stuff (pacing issues, unnecessary/unconvincing scenes etc.). Finally, only when you're happy with the overall story structure, go in and fix the nitty-gritty details of language.
Of course, it's very difficult to resist the temptation to tinker with sentences and paragraphs as you read through something - but Stein's rationale is that you may be polishing something you're going to end up throwing out anyway.
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