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Poetry Thread 2 http://ttapress.com/forum/viewtopic.php?f=34&t=1896 |
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Author: | Marion Arnott [ Sun May 01, 2011 10:36 pm ] |
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Courtesy of The Guardian, Sean O'Brien's 'Josie': http://www.guardian.co.uk/books/2011/ap ... urday-poem |
Author: | Marion Arnott [ Mon May 16, 2011 9:21 pm ] |
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Michael Donaghy The basic requirement of darkness is that it enables us to extinguish the shape of an object. A girl beneath a tree, for example, with the night behind her, can only be forgotten by her absence of outline, and as the direction of darkness changed, it would reveal less and less of the tree. In this way we can select and use darkness to reveal or subdue qualities in a subject |
Author: | Marion Arnott [ Sun Jun 12, 2011 11:07 pm ] |
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This made me laugh - here's Michael Donaghy reading 'Shibboleth' http://www.poetryarchive.org/poetryarch ... poemId=152 |
Author: | Marion Arnott [ Fri Jun 24, 2011 10:06 pm ] |
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Toad by Norman MacCaig Stop looking like a purse. How could a purse Squeeze under the rickety door and sit, Full of satisfaction in a man’s house? You clamber towards me on your four corners – Right hand, left foot, left hand, right foot. I love you for being a toad, For crawling like a Japanese wrestler, And for not being frightened I put you in my purse hand not shutting it, And set you down outside directly under Every star. A jewel in your head? Toad, You’ve put one in mine, A tiny radiance in a dark place. |
Author: | Marion Arnott [ Sun Jul 03, 2011 3:27 pm ] |
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The Two W.H. Auden You are the town and we are the clock. We are the guardians of the gate in the rock. The Two. On your left and on your right In the day and in the night, We are watching you. Wiser not to ask just what has occurred To them who disobeyed our word; To those We were the whirlpool, we were the reef, We were the formal nightmare, grief And the unlucky rose. Climb up the crane, learn the sailor's words When the ships from the islands laden with birds Come in. Tell your stories of fishing and other men's wives: The expansive moments of constricted lives In the lighted inn. But do not imagine we do not know Nor that what you hide with such care won't show At a glance. Nothing is done, nothing is said, But don't make the mistake of believing us dead: I shouldn't dance. We're afraid in that case you'll have a fall. We've been watching you over the garden wall For hours. The sky is darkening like a stain, Something is going to fall like rain And it won't be flowers. When the green field comes off like a lid Revealing what was much better hid: Unpleasant. And look, behind you without a sound The woods have come up and are standing round In deadly crescent. The bolt is sliding in its groove, Outside the window is the black removers' van. And now with sudden swift emergence Come the woman in dark glasses and humpbacked surgeons And the scissors man. This might happen any day So be careful what you say Or do. Be clean, be tidy, oil the lock, Trim the garden, wind the clock, Remember the Two. |
Author: | Marion Arnott [ Fri Jul 08, 2011 11:46 pm ] |
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The Road to Kerity Do you remember the two old people we passed on the road to Kerity, Resting their sack on the stones, by the drenched wayside, Looking at us with their lightless eyes through the driving rain, and then out again To the rocks, and the long white line of the tide: Frozen ghosts that were children once, husband and wife, father, and mother, Looking at us with those frozen eyes; have you ever seen anything quite so chilled or so old? But we – with our arms about each other, We did not feel the cold! Charlotte Mew |
Author: | Marion Arnott [ Tue Jul 26, 2011 11:02 am ] |
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After Rain Edward Thomas The rain of a night and a day and a night Stops at the light Of this pale choked day. The peering sun Sees what has been done. The road under the trees has a border new of purple hue Inside the border of bright thin grass: For all that has Been left by November of leaves is torn From hazel and thorn And the greater trees. Throughout the copse No dead leaf drops On grey grass, green moss, burnt-orange fern, At the wind's return: The leaflets out of the ash-tree shed Are thinly spread In the road, like little black fish, inlaid, As if they played. What hangs from the myriad branches down there So hard and bare Is twelve yellow apples lovely to see On one crab-tree. And on each twig of every tree in the dell Uncountable Crystals both dark and bright of the the rain That begins again. |
Author: | Marion Arnott [ Sat Aug 20, 2011 8:18 am ] |
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I Know Not How It Is with You By Robert Louis Stevenson I KNOW not how it is with you— I love the first and last, The whole field of the present view, The whole flow of the past. One tittle of the things that are, Nor you should change nor I— One pebble in our path—one star In all our heaven of sky. Our lives, and every day and hour, One sympathy appear: One road, one garden—every flower And every bramble dear. |
Author: | Marion Arnott [ Wed Aug 31, 2011 12:26 am ] |
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MEMORY by Thomas Bailey Aldrich My mind lets go a thousand things, Like dates of wars and deaths of kings, And yet recalls the very hour-- 'T was noon by yonder village tower, And on the last blue noon in May-- The wind came briskly up this way, Crisping the brook beside the road; Then, pausing here, set down its load Of pine-scents, and shook listlessly Two petals from that wild-rose tree. |
Author: | Marion Arnott [ Sat Sep 17, 2011 12:51 am ] |
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DAWN Rupert Brooke (From the train between Bologna and Milan, second class.) Opposite me two Germans snore and sweat. Through sullen swirling gloom we jolt and roar. We have been here for ever: even yet A dim watch tells two hours, two aeons, more. The windows are tight-shut and slimy-wet With a night's foetor. There are two hours more; Two hours to dawn and Milan; two hours yet. Opposite me two Germans sweat and snore.... One of them wakes, and spits, and sleeps again. The darkness shivers. A wan light through the rain Strikes on our faces, drawn and white. Somewhere A new day sprawls; and, inside, the foul air Is chill, and damp, and fouler than before.... Opposite me two Germans sweat and snore. |
Author: | Marion Arnott [ Sat Sep 24, 2011 10:32 pm ] |
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I only watch reruns now, or films about geese, and yet I'm waiting for the miracle I used to find in early black and white... Whole poem here: http://www.guardian.co.uk/books/2011/au ... n-burnside |
Author: | Marion Arnott [ Fri Oct 14, 2011 3:17 pm ] |
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Taken from the Guardian website: 'Notes Towards an Ending' by John Burnside From Black Cat Bone, published by Jonathan Cape, which won the Forward prize for best collection in 2011. I've included the ordering details at the end of the post - Christmas is coming! Notes Towards An Ending No more conversations. No more wedlock. No more vein of perfume in a scarf I haven't worn for months, her voice come back to haunt me, and the Hundertwasser sky Magnificat to how a jilted heart refuses what it once mistook for mercy. It's never what we wanted, everafter; we asked for something else, a lifelong Reich of unexpected gifts and dolce vita, peach-blossom smudging the glass and a seasoned glimmer of the old days in this house where, every night, we tried and failed to mend that feathered thing we brought in from the yard, after it came to grief on our picture window. From Black Cat Bone (Cape, £10). To order a copy for £8, or The Forward Book of Poetry 2012 (RRP £8.99) for £7.19, both with free UK p&p call Guardian book service on 0330 333 6846 |
Author: | Marion Arnott [ Thu Dec 01, 2011 12:36 am ] |
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Television by Roald Dahl The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rate and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did. |
Author: | Marion Arnott [ Thu Dec 22, 2011 10:01 am ] |
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The Oxen by Thomas Hardy Christmas Eve, and twelve of the clock. "Now they are all on their knees," An elder said as we sat in a flock By the embers in hearthside ease. We pictured the meek mild creatures where They dwelt in their strawy pen, Nor did it occur to one of us there To doubt they were kneeling then. So fair a fancy few would weave In these years! Yet, I feel, If someone said on Christmas Eve, "Come; see the oxen kneel, "In the lonely barton by yonder coomb Our childhood used to know," I should go with him in the gloom, Hoping it might be so’ |
Author: | Mike A [ Thu Dec 22, 2011 10:09 am ] |
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Robin Robertson reads "At Roane Head", a poem that may appeal to Black Static fans... http://www.guardian.co.uk/books/video/2011/dec/20/robin-robertson-at-roane-head-video |
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