Black Static Contributors
Full list of contributors:
Contributor: Nina Allan
Nina Allan’s short fiction has appeared in Interzone, The Third Alternative, Black Static, Midnight Street and the World Fantasy Award-winning Strange Tales from Tartarus. Her story ‘Angelus’ won the 2007 Aeon Award and was subsequently published in Albedo One. Her story collection, A Thread of Truth, was released by Eibonvale Press. Nina lives in London.
Contributor: Allen Ashley
Allen Ashley's work has appeared in a great many British and American anthologies and magazines. He also edits anthologies, most recently Subtle Edens for Elastic Press, who also published his story collection Somnambulists. Allen lives in London.
Contributor: Simon Avery
Simon Avery lives and works in Birmingham. He has had fiction published in a variety of magazines and anthologies, including Black Static, Crimewave, Birmingham Noir and The Best British Mysteries IV. He has compeleted work on Secret Skin, a private eye novel set in Paris.
Contributor: Roz Clarke
Roz Clarke was born in Manchester and, having done most of her growing up in south London, later returned to the rainy city to study psychology. Skipping out of a career in IT, she survived the Clarion West writer’s workshop in Seattle in 2007 and graduated from a Masters in Creative Writing at the Manchester Metropolitan University in 2008. Her first story sale was to Black Static.
Contributor: James Cooper
James Cooper lives in Nottinghamshire, with his wife and son. His stories have appeared in a number of magazines and anthologies, including Black Static, Cemetery Dance, Postscripts, All Hallows and the Humdrumming Book of Horror Stories 1 and 2. His debut novel, The Midway, was published in 2007, along with his debut collection of short stories, You Are The Fly.
Contributor: Mat Coward
Mat Coward didn’t go to university, has no family contacts in the media, and yet has made a living as a freelance writer since 1986. In other words, he shares the same lack of background as all those would-be writers who buy writing guides. The only difference is their dream is his reality: full-time writing. He is perfectly positioned to tell them how to do it, how not to do it, and why they’re probably better off in their pensioned day jobs anyway.
Mat is one of a dying breed, the truly freelance writer. Not quite a writer, not quite a journalist, but a freelance writer. He’s written and sold just about everything imaginable to just about every imaginable market: books, TV, radio, magazines, newspapers, small press, fiction, reviews of everything from books to restaurants, columns, jokes, videos, stand-up material, greetings cards, comic strips, badge slogans, fillers, links, poems… And still he struggles to pay the bills every month. Hey, if he can make a living as a failure, so can you!
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